Director Stuart Rosenberg's moving character study Cool Hand Luke told of a non-conformist, anti-hero loner, "Cool Hand" Luke Paul Newman who bullheadedly resisted authority and the Establishment. The film's theme was about the outsider-protagonist who transformed the occupants of a Southern chain gang institution and tragically sacrificed himself at the end.
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This chain-gang prison film contained the titillating scene of the prisoners digging a ditch by the roadside in the scorching hot sun -- when a blonde-haired, shapely, well-endowed and sexy young woman Joy Harmon in a nearby house prepared to wash her car. Her provocative activity sent the men into a voyeuristic, frustrated frenzy. She brought out a radio and turned it on, signaling the beginning of her sexual act.
As she opened up the nozzle on her watering hose, a particularly-apt phallic symbol, the men perked up and attentively spied "the scenery.
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She proceeded to wet down the car and then lathered and caressed white, frothy soap suds over the car's surfaces. She tempted and stimulated the men even further in the symbolic simulation of the sex act. She looked into the car's rear view mirror and into one of the tire's shiny hubcaps to look back to see how the men were being pleasured. Her loose-fitting blouse with well-endowed breasts began to open up and taunt them. Gambler Wayne Rogers observed:. Come on safety pin, POP. Come on baby, POP. The men dug more vigorously as she heightened her own cleansing activity. Dragline George Kennedy prayed to the heavens to sustain his eyesight just a little longer for the girl he named Lucille: "Hey Lord, whatever I done, don't strike me blind for another couple of minutes.
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My Lucille! That's Lucille, you mother-head. Anything so innocent and built like that just gotta be named Lucille. Knowing that she had a ripe and attentive audience, the blonde rubbed the car harder and harder. In the most blatantly sexual act of all - the orgasmic conclusion to her show - she squeezed the white foam out of her sponge and rubbed the soap suds across her abdomen.
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Luke knew what she was doing: "She knows exactly what she's doin'. She's drivin' us crazy and lovin' every minute of it. In director Roman Polanski's vampire horror spoof, two vampire hunters Professor Abronsius Jack MacGowran and his assistant Alfred Roman Polanski attempted to destroy an undead nobleman, while rescuing a beautiful maiden. The young, innocent and buxom innkeeper's daughter Sarah Shagal Sharon Tate, director Polanski's soon-to-be-wife in her debut feature film appearance bathed twice in a tub in the most sensual scenes of the film.
Semi-nude shots heavily publicized were not in the film, but in promotional materials including a March Playboy pictorial shot by Polanski. In the first sequence set in the local village's tavern, vampire Count Von Krolock Ferdy Mayne descended through the ceiling, and flared his fangs at her before biting her.
She flailed around in the tub as her neck was bitten, and her mouth was covered to prevent screaming. In the second sequence, the kidnapped Sarah was oblivious to danger when Alfred attempted to save and warn her by following after him "l'm going to save you. We'll go away together" , but all she wanted to do was attend the midnight ball and wear her beautiful red dress.
Director Mark Rydell's first feature film was a stark adaptation of D. Lawrence's novella of lesbian love. The candid and controversial drama was originally rated R in for its scene of nude masturbation and mild scenes of sexuality, lesbian and heterosexual , but then was re-edited and rated PG in It examined the lives of two female lovers on an isolated, snowbound farmhouse a self-sustaining chicken farm in Canada, who shared the same bed in a sublimated lesbian relationship:. The arrival of a third person - self-confident merchant seaman Paul Renfield Keir Dullea - symbolically and metaphorically, the predatory 'male' fox who challenged the coop and killed the real-live fox , disrupted and changed the relationship between the two women within the tense love triangle.
In one telling scene after his arrival, Paul asked Jill why she had never married:. But you've never had a man. I think that's really your problem. By film's end, the bisexual character of Ellen, who originally decided not to abandon Jill for Paul, chose to start a new life with Paul after Jill was killed by a falling tree.
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Jill had stubbornly refused to heed Paul's warning and move out of the tree's possible path when it was about to be chopped down by Paul. Mike Nichol's award-winning, milestone film of the s The Graduate was a bold social satire film combining adultery, nudity, and anti-establishment subject matter. It featured an average-looking newcomer named Dustin Hoffman in the lead role as young graduate Ben Braddock who would experience an illicit and sexy seduction and awakening by older, provocative and predatory married female - Mrs.
Robinson Anne Bancroft - the frustrated wife of his father's law partner. She quizzically asked him: "You want me to seduce you, is that what you're trying to tell me, Benjamin? Robinson, you're trying to seduce me? Aren't you? She assaulted him in her own home by exposing her breasts to him seen in split-second, jump-cut flashes but first reflected in the picture of her daughter Elaine Katharine Ross in her bedroom, and by blocking his exit.
At the same time that he entered into an affair with her, Benjamin dated the more appropriately-aged Elaine. On their first date, he deliberately tried to put Elaine off by being offensive. Without communicating with her wearing his sunglasses at night , he drove recklessly in his sports car and then marched ahead of her into a tawdry strip joint to humiliate her. The stripper Lainie Miller twirled the dangling tassels on her bare, rotating breasts directly behind Elaine's head, while Ben asked:.
How'd you like that? Could you do it? He removed his sunglasses [his barrier] as he saw tears forming in her eyes, and stopped the tawdry show. Disgusted and humiliated in shame, Elaine ran out. In the climactic concluding scene, Benjamin interrupted her marriage at a church and took her away on a city bus to an uncertain future. Stanley Kramer's and Columbia Pictures' socially-conscious message film explored the touchy issue of inter-racial romance.
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This progressive film though dated now was the first truly mainstream Hollywood film to portray an interracial couple's romance that turned out optimistically. Except for one brief revolutionary view of the couple kissing seen in a cab driver's rear view mirror on their way to the city of San Francisco from the airport , other scenes of their physical intimacy were edited out.
Based upon Frank Tarloff's book of the same name, this dated, misogynistic, humorless sex comedy directed by Gene Kelly! In the film's trailer, the narrator promised to give viewers some "pointers" - with the shot of the bouncing chests of four nubile women strutting down a sidewalk, a busty look at the decolletege of a waitress bending down and serving tea, and the "low-down" a view of the swinging backside of a shapely female. This foul, light-hearted sex film was typical of a number of films of the 'sexual revolution' of the late 60s, with little in the way of nudity due to Production Code restrictions still residually in force, but with lots of leering views of stacked and teasing bombshells clothed with hip-swinging, tight outfits.
It preached the philosophy that cheating and adultery could be taught to any husband. Bored business investment counselor Paul Manning Walter Matthau had been married for twelve years to Ruth sexy and gorgeous Inger Stevens , who was undeniably gorgeous and sexy. In their bedroom, she performed breast-enhancement exercises, stripped off her leotard, and attempted to entice her disinterested husband into noticing her with a see-through nightgown. Paul was taught how to cheat by self-proclaimed, expert philanderer - his friend and neighbor Ed Stander Robert Morse who was married to Harriet Claire Kelly and cheating on her.
Paul was instructed in a series of vignettes about the "do's and don'ts" of successful and failed affairs. Part of the reason for Paul's roving eye was due to his shapely and provocative married neighbor Irma Johnson Sue Ann Langdon. In one of the lessons scenarios on how not to get caught, Charlie Joey Bishop was found by his enraged wife Ann Morgan Guilbert in bed with a naked woman. When confronted "What are you doing?
What woman? He wasn't even ashamed of himself, and when she had accepted his story, she asked: "What would you like for dinner?